Sunday, April 21, 2013

Annotated Bibs

Hey friends. I've heard some of you are confused about the annotated bibliography. If you look back at your Stranger stuff, you should have an example of one about existentialism and absurdism.

Here are two examples (you'll not that for each, only one entry has the complete annotation-- you'll want to do that annotation for each)...

EXAMPLE 1:

Amber Manning and Lori Townzen
IB Teachin’
French Algeria: An Annotated Bibliography
Astier, Henri.  “The Deep Roots of French Secularism.”  BBC News Online. British Broadcasting Corporation. Web. 1 September 2004.

Evans, Martin. Algeria: France’s Undeclared War. Oxford: Oxford University Press: 2012. Print

Heartfield, James.  The ‘Death of the Subject’ Explained. Sheffield Hallam University: 2006. Print.

Heggoy, Alf Andrew.  “Education in French Algeria: An Essay on Cultural Conflict.”  Comparative
Education Review Vol 17 No. 2. (June 1973): 180-197.  The University of Chicago Press.

Klein, Martin. Slavery and Colonial Rule in French West Africa. Cambridge University Press. 1998. Print.

Nelson, Harold D. Algeria, A Country of Study 4th edition. Washington D.C.: United States Army1984.
Print.

Zaretzky, Robert. Albert Camus: Elements of a Life. Ithaca: Cornell University Press, 2010. Print.
Summary: The purpose of this book is to give a history of Camus’ life through his major political and philosophical shifts. As such, the beginning of the book really deals with the treatment of Arabs in Algeria because, during World War 2, Camus moved to France. The book begins with a comparison between the plight of the Arab in Algeria and the Irish people in British controlled, Ireland, arguing that both groups were oppressed by legislation and famine. Zaretzky then goes on to discuss Camus’ role in the plight of the Arab people, beginning with his involvement with the Communist party in 1935. At the time, the party supported the liberation of the Arab people, particularly in their defense of the French farmer Hodent. The author goes on to describe the many horrific scenes Camus witnessed with writing for an Algerian newspaper, scenes that depicted the horror of the lives of many Arab Algerians. Later, Zaretsky spends more time on Camus’ reaction to the Algerian revolution, demonstrating why Camus’ political struggles in France eventually led to a vow of silence over the revolution, despite his initial support for the Arab nationalists.
Evaluation: This text is fairly unbiased, though the author’s tone is certainly more critical of Sartre than Camus in his discussion of their feud. The author goes in very in-depth in the political and philosophical changes that Camus underwent but provides very little personal context for such transformations, making them harder to understand and contextualize.
Reflection: I found this text to be somewhat useful to my research because it certainly deals with the treatment of Arabs in French-occupied Algeria. That being said, the text is not focused on the plight of these people but rather Camus’ involvement with said plight. As Camus was a very prominent journalist in Algeria, his involvement was important. However, much of the book also deals with Camus’ increasing embrace of Absurdism and rejection of Communism; the author never connects these ideas to Camus’ role in Algeria, making the second half of the text less useful for my purposes.

EXAMPLE 2
Amber Manning
IB Livin’ Life & Stuff

Existentialism and Absurdism: An Annotated Bibliography
Aronson, Ronald, "Albert Camus", The Stanford Encyclopedia of Philosophy (Spring 2012 Edition),    Edward N. Zalta (ed.), URL = <http://plato.stanford.edu/archives/spr2012/entries/camus/>.

Crowell, Steven, "Existentialism", The Stanford Encyclopedia of Philosophy (Winter 2010 Edition), Edward N. Zalta (ed.), URL = <http://plato.stanford.edu/archives/win2010/entries/existentialism/>.

Genovese, Maria. “Meaningful Meaninglessness: Albert Camus’ Presentation of Absurdism as a Foundation for Goodness.” Digital Commons @ Salve Regina: Salve’s Dissertations and Theses. (2010): n. pag. Web. 18 February 2013.

Gutting, Gary. French Philosophy in the Twentieth Century. Cambridge: Cambridge University Press, 2001. Print.
Summary: The purpose of this book is to give a brief history of the schools of philosophy that developed in France from the 1890s to the end of the twentieth century. The text goes in-depth on a number of philosophical schools but deals largely with existentialism. Gutting also deals with absurdism but primarily in context of responses to existential thought. Gutting discusses at length much of the lead up to existentialism; he clarifies how both WWI and WWII influenced French philosophers to reject both moral and scientific explanations for the cause and purpose of human existence. Though primarily through a discussion of Sartre’s theories on existentialism, Gutting does introduce how Nietzche and Kierkegaard both helped to develop existentialism’s embrace of the human experience as opposed to theories about human essence and nature. The author’s primary argument regarding existentialism deals with the means of understanding “authenticity” and different philosopher’s views on the possibility of achieving “authenticity”. He often draws connections between authenticity and angst, demonstrating that angst is a natural part of existentialism and one that should be treated as such when understanding this school of thought. As for absurdism, Gutting introduces absurdism as a school of thought based primarily in humankind’s desire to understand the meaning of life and inability to do so.
Evaluation: This text is very straightforward and is not meant to really critique any form of philosophy. It is meant to be a history of French philosophy and the author clearly and thoroughly gives said history. Gutting is the chair of philosophy at Notre Dame, demonstrating his professional prestige; additionally, his books have been published by a myriad of scholarly journals and presses, proving his worth in the scholarly community. That being said, as Gutting is primarily a Foucault scholar, many of Foucault’s less important philosophical musings are given quite a bit of text and female philosophers (even de Beauvoir) are not examined as thoroughly.
Reflection: I found this text to be particularly useful to my research because it is expository in nature. As I was trying to find out the basic tenants and history of existentialism and absurdism, this book gave a great deal of information about both. However, as Gutting attempts to examine all schools of thought in French modern philosophy, he does not go as in-depth into absurdism, making the text more useful for an understanding of existentialism.

Martin, Andy. “Sartre and Camus in New York.” The Stone. July 2012. The New York Times. Web. 18 February 2013.



Thursday, April 11, 2013

THURSDAY!!!!!

Congratulations on successfully completing your first quarter of IB Junior English!!!!!!!!!!!!!!!!!!!!!!


Today in class we turned in our Dystopian Projects and checked out Sophocles.

Homework: Read Sophocles' Antigone (quick read)

Wednesday, April 10, 2013

Weds. April 10!!!!!!!!!

Your Dystopian projects are due TOMORROW! HOORAY!!!!!

P.S. Please bring your student ID with you to class tomorrow.

Monday, April 8, 2013

April 8

Today in class we had our final group discussions and worked on the dystopian projects.
Projects are due Thursday at the beginning of class.

Friday, April 5, 2013

4/5

HAPPY FRIDAY!!!!!!!

Today in class we did the following:
1. Returned re-writes and reading quizzes
2. Dystopian museum assignment review
3. Dystopian museum assignment work time/dystopian plan hand-out

HW:
FINISH YOUR NOVEL :) :)

Thursday, April 4, 2013

4/3 and 4/4

Wednesday 4/3
Today in class we used the example dystopian analysis hand-out to create posters in dystopian groups. The posters had an argument, proof and analysis.
Homework: Finish part 2 and Stranger re-writes

Thursday 4/4
Today in class we did the following:
1. Read quizzes
2. Present posters
3. Dystopian discussion 2
Homework:
Finish Dystopian novels for Monday

Tuesday, April 2, 2013

April 1 and April 2

Monday, April 1:
Today in class we did the following:
1. Gave back Stranger essays
2. Looked at example analysis hand-out (BNW)
3. Handout: is it analysis
4. Baby commentary editing

Homework:
BABY COMMIE DUE TOMORROW!!!
-Read Part 2 of Dystopian novel for Thursday
Handmaid Ch. 24-34, We record 16-31, 1984 finish part 2, BNW Ch. 8-13
-Stranger re-writes for Thursday


Tuesday April 2:
Today in class we had our first dystopian group discussions.

Homework:
-Read Part 2 of Dystopian novel for Thursday
-Stranger re-writes due Thursday.


Saturday, March 23, 2013

turnitin.com

Submitting your essay to turnitin.com is a REQUIREMENT for The Stranger essay. If your essay is not turned in to turnitin.com by Sunday morning, even if you turned in the draft in class, you will be using your late pass.

NOTE: If you are using your late pass, your essay should still be turned in by the end of the day on Monday 3/25. If your essay is not turned in by then, you will use your late pass and be ineligible for a re-write.

Wednesday, March 20, 2013

March 20, 21 and 22

March 20:
We looked at example introductions, revised our rough drafts and looked at the Dystopian baby commie assignment.

March 21:
We analyzed p. 1 of each of the Dystopian texts.

March 22:
Work time for Dystopians.


DUE DATES:
1. Stranger FD due on Friday, March 22nd. Don't forget to turn them in to turnitin.com (under the assignment "Stranger Semester 2".
2. You must email the passage for your baby commentary to Mrs. Manning (amanning@ttsd.k12.or.us) by Sunday (March 24th) evening.
3. Baby Commie Rough Drafts and Part 1 of Dystopian text (read) for April 1 (the Monday we come back from break).
READING ASSIGNMENTS (Part 1)
We: Records 1-15
Handmaid's Tale: Ch. 1-23
1984: All of Part I, Part II through Ch. 3
BNW: Ch. 1-7

Tuesday, March 19, 2013

Tuesday 3/19

Today in class we did:
1. GRAMMAR: combining sentences :)
2. Combined sentences in our rough drafts
3. Created Dystopian groups
4. Assigned Dystopian Project

Homework:
1. ROUGH DRAFTS DUE TOMORROW!!!!!!!!!!!!!!!
2. Start reading your book, yo.

Monday, March 18, 2013

3/18

Today in class we did the following:
1. Introduce elements of dystopia
2. Sign up for dystopian texts
3. Outline revisions/workshop hand-outs

Homework:
Write the first 2 paragraphs of your essay (introduction, body paragraph 1).

Wednesday, March 13, 2013

3/13

Today in class we did the following:
1. Outline revision
2. Introduced reflection: example reflection (hand out), essay rubric (hand out), discussed requirements for reflection
3. Work time

Homework:
1. FULL OUTLINES due Monday.
2. Rough draft of reflections due Monday.

Reflections: Remember to include three parts:
1. Your original interpretation of the text (BE SPECIFIC).
2. What you learned about either existentialism/absurdism or racism in Algeria (BE SPECIFIC).
3. How the information in #2 changed your interpretation of the novel (BE SPECIFIC).
**The best reflection will include all three of these, transitioning between points.

Monday, March 11, 2013

3/11

Today in class we did the following:
1. Super(vised) Writing (example HO, HO)
2. Responding to Prompts (HO)
3. Thesis Work

Homework: Thesis, Quotations

Thursday, March 7, 2013

Thursday and Friday

**RE-WRITES ARE DUE FRIDAY!!!
Debates are Thursday.


Journal for the weekend:
Answer EACH of the following questions in a well-developed (LONG) paragraph with a topic sentence (that's three total paragraphs):
1. Many consider The Outsiders to be an existential film. Do you think this film promotes an existential philosophy? Defend your argument with specific examples.
2. Just like writers, filmmakers use techniques to portray a central effect. What are some of the techniques the filmmaker uses in this movie? What is the effect of these techniques?
3. Compare and contrast this film and The Stranger. Focus on choices the author/filmmaker makes (don't just talk about existentialism and absurdism). Use specific examples in your analysis.

Wednesday, March 6, 2013

3/6/13

Today in class we did the following:
1. Debates Preparation

Homework:
Finish your re-writes; practice for tomorrow.



Tuesday, March 5, 2013

IB

1. Reviewed Ch. 5
2. Assigned debates (HO)
3. Maps

Homework:
1. Rewrites due Thursday
2. Debate Research:
-2 sources
-5 quotes
***TO PROVE YOUR SIDE OF THE RESOLUTION

Friday, March 1, 2013

3/1

Today in class we did the following:
1. Stranger Vocab
2. Fishbowl 3!
3. Fishbowl 4!

Homework:
1. Finish the bookie wook.
2. Journal 5:

How has the pattern you’ve been tabbing changed or developed over the course of the novel? What is the ultimate effect of your pattern? This journal should take the form of a mini-essay and include a thesis, topic sentences for paragraphs and quotations from different parts of the text.

Thursday, February 28, 2013

2.28


Today in class we did a vocab review and played Life in Algeria. 

Homework:
1. Vocab Test TOMORROW
2. Read Stranger Part 2, Ch. 3 and 4
3. Journal 4: Reflect on how your understanding of the novel changed as a result of our discussion on absurdism and existentialism and the hypothetical situations we examined. Be sure to include: your original interpretation, what you learned and how you changed.

Wednesday, February 27, 2013

2/27

Today in class we did the following in class:
1. Hypo situations
2. Fishbowl 2 and Fishbowl 2.5

Homework:
1. Vocab Test FRIDAY!!!!!!
2. Read Stranger Part 2, Ch. 3 and 4
3. Journal 3: Reflect on how your understanding of the novel changed as a result of our discussion on absurdism and existentialism and the hypothetical situations we examined. Be sure to include: your original interpretation, what you learned and how you changed.

Tuesday, February 26, 2013

2/26

Today in class we did the following:
1. Absurdism/Existentialism introduction, discussion
2. Fishbowl #1
-As they prep, we discussed journals/questions you had.
3. Discussed/analyzed the end of chapter 6.

Homework:
1. Read Part 2, Ch. 1-2
2. Journal 3: How does Camus develop tension between the natural/physical world and the emotional/spiritual world? Be sure to discuss the tension itself, Meursault’s role and the choices/techniques Camus use to create this tension. You should include quotations from the text.
3. Vocab sentences due tomorrow.

Monday, February 25, 2013

2/25

Today in class we did the following:
1. Turned in Eyes final drafts!!!!!!!
2. Stranger Journal 1 (which is actually a quiz!!!)
3. Discussed:
-Part 1, ch. 1-3
-Find quotes for...
-Fishbowls
4. Handed out vocab

Homework:
1. Read Part 1, Ch. 4-6
2. Journal 2:

Analyze the effect of elements of the natural world in chapter 6. How does nature effect Meursalt? What physical and psychological responses does Meursalt have to nature? Does nature alleviate Meursalt's guilt? Please use at least 5 quotations from the text.
3. Write sentences for your vocabulary words (these will be checked on Wednesday). VOCAB QUIZ IS FRIDAY!!!!!!!!

Friday, February 22, 2013

2/22/13

1. Stranger Ch. 12. Rough draft work

Homework:
1. Read Ch. 2 and 3 in The Stranger
2. Journal 1: Reflect on the character of Meursault. What kind of person is Meursault? What does he value? What is he most aware of? How does Camus characterize him?
3. FINAL DRAFTS DUE MONDAY!!!!!!!!!!!!!!!!!!!!!!! Please remember to turn it in to turnitin.com (assignment name: Semester 2 Commie Final)

Thursday, February 21, 2013

2/21/2013

Today in class we talked about being precise and then worked on rough drafts.

Homework:
-Final drafts due MONDAY!!!!!!!!!!!!!!!!!!!!
-Bring The Stranger or ID cards tomorrow. YAY!

Wednesday, February 20, 2013

Tuesday and Wednesday

Wednesday:
Today in class we did the following:
1. turnitin.com discussion
2. Stranger page 1/meetings with Manning
Homework:
ROUGH DRAFTS ARE DUE TOMORROW!!! Bring a paper copy of your draft to class and turn your draft in to turnitin.com BEFORE class.
ID: 5599395
PW: honeybooboo
DO NOT FORGET TO ANALYZE SPECIFIC LANGUAGE AND DISCUSS SPECIFIC CHOICES HURSTON IS MAKING!


Tuesday:
Today in class we did the following:
1. Using quotations (hand out)
2. Outline workshop (hand out)

Example Introductions:
1. In the selected passage from Their Eyes Were Watching God, Zora Neale Hurston develops Janie as captive to her own dependence on men. The passage, set in Janie’s home, is an argument between Jody and Janie, as the former lies on his death bed. The dynamic characterization of Janie throughout this passage, the alliterative imagery and the internal conflict all point towards Janie’s inability to function alone and thus, be free; Janie is incapable of fighter with her captor, on whom she is dependent, until he is dying. Hurston implies that Janie cannot free herself, only imprison herself in dependency.  

2.In the selected passage form TEWWG, ZNH integrates the idea of death as a superior force that consumes everything in its path. The specified passage, encapsulated in the mind of Janie, explores the deteriorating condition of sickly Joe and the dreary presence of death ensuing Janie and the townspeople. In this passage, Hurston shows that Joe’s power rapidly declines with his health, while being superceded by the looming presence of death within Janie, the townspeople and the town itself. Thereby, Hurston portrays to the reader that death inevitably takes possession of the power of the fallen and subjugates that dreary power to the former influenced.

Friday, February 15, 2013

2/15

Happy, happy, happy Friday!!!
Today in class we did the following:
1. Went over summary vs. analysis (handout)
2. Topic sentences (handout)
3. Example commentary (handout)
4. Workshops: Body paragraph 1
5. Completed by the end of class: workshop and written topic sentences for every body paragraph. 

Homework:
YOUR OUTLINES ARE DUE ON TUESDAY!
If you want lengthy feedback on your outline, please email it to me by Monday at 10 a.m. (the earlier the better). Even if your outline isn't finished, I'll take it on Monday. You can also bring it by on Tuesday before school (and then I can take a look at it during my prep).   

Thursday, February 14, 2013

2/14/13

Valentine's Day is for love, happiness and commentary, right?

Today in class we did the following:
1. Thesis workshop (with written feedback from 3 of your peers)
2. Commentary paragraph structure (hand-out)
3. Commentary outline structure (hand-out)

Homework: 
Outline body paragraph 1 for tomorrow. This outline should be extensive (topic sentence, quotations, analysis: REMEMBER TO ANALYZE SPECIFIC LANGUAGE).

Wednesday, February 13, 2013

2/13

Happy (almost!) Valentine's Day. Next year, you should give your Valentine a commentary! 

Today in class we did the following:
1. Worked on thesis/thesis workshop


Homework:
THESIS
 

Tuesday, February 12, 2013

Tuesday Feb. 12
Today in class we:
1. Discussed the end of Eyes
2. Assigned commentary, rubric
3. Looked at example commentary passage coding/thesis/paragraph structure
4. Wrote on commentary passage
Homework: Code passage, rough thesis draft

Monday February 11
Today we:
1. Discussed 13-16
2. Look at introductions
3. Did our WHAT'S THE EFFECT?!?!?!?!?! hand-out

Homework:
Finish Eyes!

Friday, February 8, 2013

Friday! Feb. 8

Today in class we did the following:
1. Lit terms test
2. Discussed chapters 9-12
3. Looked at example introductions
Homework:
1. Read Eyes ch. 13-16
2. Journal 5: Ch 13-16: Tonight, I want you to practice analyzing specific language. You’ll do this by analyzing each sentence (on its own) of the assigned paragraph. Your analysis does not have to be in complete sentences or form a coherent whole, you just need to demonstrate that you can look at individual words and phrases for meaning. You should have analysis after EVERY sentence.  Be sure to find a way to show which sentences are yours and which are Hurston’s

My example: (p. 125… “All night…like ants”, just about three pages in to Ch. 14). Note: Hurston’s language is italicized.
 All night now the jooks clanged and clamored. Hurston uses onomatopoeia with “jooks” and “clamored” to create vivid aural imagery for the reader; she also has “jooks” as the subject, implying that these establishments take on a life aside simply from humans. Blues made and used right on the spot. “Blues” here could be a play on words—referring to music or emotion. The word “used” implies the blues are totally spent, not mean to last a lifetime, perhaps showing how fleeting this moment is. Dancing, fighting, singing, crying, laughing, winning and losing love every hour. The list of gerunds shows activity, particularly with words like “fighting”. The natural juxtapositions of more positive actions (“laughing”) and negative ones (“crying”) not only creates hyperbole but shows the richness of the emotional experience. Even the syntax, a fragment, implies movement, action but still a lurking undercurrent of the impossibility of the moment lasting forever. Work all day for money, fight all night for love. The use of the word “all” creates clear hyperbole and the split sentence, with parallel structure creates juxtaposition not just between “money” and “love” but how each is procured. Hurston seems to imply that these are the only actions of life. Interestingly, the more negative of the two verbs, “fighting”, is paired with love, which creates somewhat of a paradox. Can we ever get love from fighting? The rich black earth clinging to bodies and biting the skin like ants. First, we get an image of the earth (“rich” and “black”); due to the previous mention of money, one cannot help but wonder if Hurston creates another pun here. The verb “clinging” seems to imply that the soil is almost desperate, as if it is more attached to the humans than they are to it. Finally, the simile created at the end “biting the skin like ants”, shows how troublesome the land can be, like a pest. However, we get a complex image, the land is both “rich” and “biting”, implying, as before, that such an emotionally rich experience comes with the good and the bad; in suffering there is beauty, in beauty there is suffering. Again, the use of another fragment could imply that the moment is fleeting; times seems to move quickly in the paragraph.
Your paragraph: Page 113 (in my book), it is the ninth paragraph in Ch. 13. It begins “But don’t care how firm your determination is, you can’t keep turning round in one place like a horse” and ends with “day and night she worried time like a bone”. 

Thursday, February 7, 2013

Feb. 7

Today in class we did the following:
1. A brief note on symbol vs. motif, clarification on journal expectations.
2. Discussed Ch. 7 and Ch. 8
2. Code Ch. 8 Passage (first 5 lines together)
3. Write a thesis on Ch. 8 passage
4. Look at sample introductions, parts of an introduction

Homework:
1. Lit terms test TOMORRROW
2. Read 9-12
3. Journal 4: Using your thesis statement from today, write an introductory paragraph. As this is a short journal assignment, your paragraph should be free from any errors and should be a thoughtful piece of writing.

Wednesday, February 6, 2013

Weds. Feb. 6

Sorry I was gone again today, guys. I really hope to be back tomorrow.

Today in class you did the following:
1. Answered questions for Eyes 5 and 6 while Kelsi initialed your lit terms.
2. Began reading 7 and 8.

Homework:
1. Read Chapters 7 and 8 (remember to keep tabbing).
2. Eyes Journal 3: Examine the manner in which Hurston uses personification and animalization in these two chapters. First, find at least six examples of personification and/or animalization and analyze the specific language of EACH example (consider what being/object/animal Hurston is humanizing/dehumanizing and what characteristics she gives). Then, decide the ultimate effect of this personification/animalization. What overall purpose does it serve in the text? This should not be a short answer; show me the thought process you go through to determine the effect of these techniques.

Tuesday, February 5, 2013

Tuesday

Homework:
Read Ch 5 and 6
Lit terms due tomorrow

Monday, February 4, 2013

Monday Feb. 4

Today in class we did the following:
1. Introduced tabbing
2. Discussed Eyes Ch. 1 and Ch. 2
-Your questions
-Manning's questions
2. Analyzed passage on page 11, listing techniques, patterns, changes, tension. Then, I created a commentary thesis for you, with paragraph breakdowns.
3. Read Chapter 3 together.

Homework:
1. Read Ch. 3 and Ch. 4
2. Eyes Journal 2. Compare and contrast Hurston's characterization of Jody and Logan. 
Consider:
-How does Hurston characterize each man (think of methods of characterization)? 
-What techniques can we associate each character with? 
-What is the ultimate effect of the difference in characterization?
Please use specific examples in your answer.

Friday, February 1, 2013

Friday February 1!!

Happy Friday!!

Today in class we did the following:
1. Gallery Walk
2. Intro Eyes/Zora!!!!!!!!!!!
3. Eyes page 1
4. Checked out Eyes

Homework:
1. Read Ch. 1 and 2 of Eyes
2. Eyes Journal 1:  Identify two important choices Hurston makes in the first two chapters; these choices should be literary techniques. Then, for each choice, find examples (what), explain how Hurston treats the technique (how) and the effect of the technique. Your journal entry should NOT be in the form of a thesis but rather a few exploratory paragraphs. This assignment is meant to show your thought process, not necessarily be a summative assessment of your understanding of the text. That being said, to receive credit, you must show thoughtful, insightful work (and include examples from the text).
REMEMBER: If your effect is cliche, I will cry (and not in an "oh, you moved me to tears" way in an "oh, the humanity" way).

Thursday, January 31, 2013

1/31

Sorry I wasn't there today; I'll be back tomorrow!
Today in class you looked at your last Harlem Renaissance poem and worked on a thesis statement with the what-how-effect form.

Homework:
1. 3-D PROJECTS ARE DUE TOMORROW!
2. Bring your students IDs tomorrow so we can check out Eyes. Yippy skippy hooray!

Wednesday, January 30, 2013

Wednesday January 30

Today in class we did the following:
1. Lit terms pre-test
2. Discussed the "what-how-effect" thesis format, using "America" as an example. Example: The speaker uses paradox to create a bittersweet tone about the nature of American society's role in the lives of black citizens; ironically, the speaker implies that the very structures that subjugate black Americans also become a source of empowerment. 
3. Analyzed "Yet Do I Marvel"
Homework:
1. Write a thesis statement on "Yet Do I Marvel"and post it as a comment.
2. Work on your lit terms. Your 3-D projects are due Friday.
3. Please comment on this post and tell me what term you'll be doing for your project. You can use your ttsd google account to log in to comment or another google account; please make sure you include your name *in the comment*.

Monday, January 28, 2013

Tuesday January 29, 2013

Welcome to IB Junior English.

Today in class we completed the following:
1. Syllabus excitement.
2. Introduced literary terms assignment.
3. Reviewed Style H.O.
4. Harlem Renaissance 
5. "America"

Your homework (hooray?):
1. DUE TOMORROW: Use the internet to gain a brief understanding of Tantalus (the punished man) and Sisyphus (the king). Then, read the wikipedia biography of ONE of the following poets: Countee Cullen, Claude McKay, or Langston Hughes. Take a few notes on the poet you choose (you'll need them for class tomorrow). This assignment should take you about 30 minutes; don't go overboard.
2. Literary Terms Assignment. Remember: your 3-D project is due on Friday, February 1st. Your lit terms test will be Thursday February 7th.
3. Read the IB learner profile. Next to each characteristic, place a number ranking the degree to which you display that characteristic (the one you feel you display most should be ranked "1").

Sunday, January 20, 2013

Friday January 18th

Today we had IOPs.

Remember:
1. Your poetry take home test is due TUESDAY. Late tests will not be accepted.
2. Any missing or late work is due Tuesday.

Wednesday, January 16, 2013

1/16

OAKS. YAY.

PRACTICE.
DO YOUR TAKE HOME TESTS.

**Remember we're pushing back all IOPs by one day. You will receive extra credit for coming in Friday after 2nd period.

Monday, January 14, 2013

Monday 1/14

Friday in class we:
1. Read and analyzed "Evolution"
2. Practice IOP


Today in class we:
1. Read and analyzed "Momma Welfare"
2. Group practice

Homework:
1. Poetry take home quiz due Tuesday.
2. PRACTICE YOUR IOP.
3. Have a new draft of your outline to turn in the day you present.

Thursday, January 10, 2013

Thursday January 10th

Today in class we worked on OAKS writing and IOPs.

Homework:
-Practice, practice, practice!
-Bring video evidence for Monday.

Wednesday, January 9, 2013

Weds. Jan. 9

Today in class we did the following: (AFTER TURNING IN WORLD LITS!)
1. Rhythm notes
2. 2 poems (Dickinson and Bennet)
3. For each, we coded, identified speaker and discussed effect of one technique.

Homework:
-Work on your IOP...
-You need to have a recorded version to show me on Monday. Yay. Hooray.
-Please be prepared to work on the IOP during class tomorrow. Bring your book or whatever you need to be productive.

Tuesday, January 8, 2013

Tuesday Jan. 8

Today in class we did the following:

1. Discussed delivery.
2. Worked on IOP

WORLD LITS ARE DUE TOMORROW! Please see yesterday's post for what needs to be included in your submission of the world lit.

Late or incomplete world lits will receive late/incomplete credit.
 

Monday, January 7, 2013

Monday 1/7

Today in class we did the following:
1. Brief poetry notes
2. Work time for World Lit/IOP

Homework:
WORLD LITS ARE DUE WEDNESDAY. Late papers will receive late credit.

A few things...
1. You MUST follow MLA format for citing drama. Please use the following as a resource. Please note that when you are citing the info, be as specific as possible (if your play has line numbers, USE them; do NOT just use page numbers, unless you are using Anouilh). http://libguides.pstcc.edu/content.php?pid=24540&sid=1751573

2. When you turn in your essay, please turn in the following in the following order:
1. Your reflective statement final draft (include word count).
2. Your world lit final draft (include word count).
3. Your works cited page.
4. Your reflective statement rough draft (written in class, initialed by me).
5. Your supervised writing (written in class, initialed by me).
6. Your outlines/drafts with corrections.
7. The self-score you did the Friday before break.
Any papers missing any parts of this assignment will be considered incomplete and will receive less credit.