Tuesday, June 10, 2014

IB 12!

IB SENIOR Summer Assignments – 2014-2015 school year
Instructors:   Mrs. Charlotte Meuwissen and Ms. Kristi Latimer

Over the summer you need to read the four novels that the class studies in the second semester.  These are, in order:
1.     The Awakening, Kate Chopin
2.     The Great Gatsby, F. Scott Fitzgerald
3.     Things Fall Apart, Chinua Achebe
4.     Song of Solomon, Toni Morrison

Assignment Requirements

·      For each text you are expected to complete one Reader Response journal (see details below.)
·      Do only one journal per text, but make it one full, typed page.
·      You may use bullet points to list quotes that support an idea, but the rest must be written as prose.  USE MLA rules for quotes, TLC, punctuation, headings, margins, etc.
·      You choose which novel to pair with which topic. For example, you might match The Awakening and Character, or The Great Gatsby and Setting, or The Great Gatsby and style – BUT YOU PICK. You must write about each topic once and each novel once.
·      The assigned books are available here at school, Powell’s, and the public library.
·      You most likely will want to purchase texts for personal use so you may mark them. 
·      You will be responsible for completing journals as you read. As always, plagiarism and paraphrasing others’ ideas is not acceptable; your own analysis is crucial here.

details on reverse



Assignment Details

For each of the four journals, respond to one of the following prompts. Each entry should be clearly labeled with title of novel and chosen response. Journals should respond to passages noted throughout the novel; do not take all quotes from chapter one, etc. If you do, every journal will receive reduced credit.

  1. Motif and Theme. How does the author use a particular motif to develop a theme that unfolds over the course of the novel? Clearly identify what the theme is and how it is created. Remember that a theme should be defined in a sentence or a phrase, rather than just one word. For example, “love” is not a theme. “The emotional havoc wrought by lost love” is a theme.   Reader Response:  What does the motif allow you to either honor or abhor about the protagonist.

  1. Setting. What are five qualities or  properties of the novel’s setting? What about the setting evokes a sense of wonder?  What about the setting evokes a sense of history?   What about the setting evokes a sense of darkness and of light?  How does the author finesse this? Reader Response: How does setting help the author convey a theme, develop characters, etc.? Remember that “setting” is a time and place, but settings can change throughout a text.

  1. Characterization. Reference the beginning, middle, and end of the text. Consider:  how does a particular character start out?  And in the middle of the text what happens?  And how does this character end up? How and why does the character evolve or stagnate? What is to be learned by his/her growth or lack of growth? What is a particularly compelling conflict between your chosen character and others in the text? What piece of the character’s dialogue do you find especially significant and why?

  1. Literary Techniques: Style and Tone. How does an author tell his/her story? Does s/he rely heavily on imagery to create a mood? Do symbols play a dominant role in the text? Select a particularly rich passage for comment. In your discussion, highlight style, including the use of imagery, flashback, symbol, motif, repetition, simile, metaphor, irony, etc.
      Prepare to use your commentary skills here. How does an author create a specific tone? Identify the tone of a passage and explain how it is created. Consider syntax, diction, connotation/denotation, sound devices, etc. To find a passage highlighting tone, look for passages that surprise, shock, or confuse you, or make you laugh out loud. An emotional reaction to a short passage usually results from the tone the author has created.

Avoid the following (in the summer reading and throughout your senior year):
  • Summarizing or paraphrasing a key passage. Always ask what the passage is saying, how the message is conveyed, and the effect of such a message conveyed in such a way.
  • Attempting to compile thoughtful journals the night before school begins.
  • Assuming the “right” answers can be found on Cliffs Notes, Spark Notes, Grade Saver, etc. These tools provide bland, basic overviews that stifle your independent analysis and distract you from noticing subtle details. NOTE: Journals based on these readily available materials will receive a score of 0.

Your journals are due the first day of the first semester to Ms. Latimer and Mrs. Meuwissen.



Tuesday, May 27, 2014

Tuesday

YOUR WORLD LITS ARE DUE THURSDAY.

Remember there are two parts to the essay:
1. Reflective Statement
2. Essay

**Each part of the essay has its own word count requirement-- please do the word counts separately and include a word count at the end of the reflective statement and at the end of your essay.

You should be prepared to sign up for an IOP date tomorrow and you should be prepared to turn your focus to the IOP in class.

Friday, May 23, 2014

5/23

ROUGH DRAFTS ARE DUE TUESDAY!!!!

http://libguides.pstcc.edu/content.php?pid=24540&sid=1751573

Tuesday, May 20, 2014

May 20, 2014

Today in class we did the Lorca SUPERvised writing and started working on World Lit thesis statements.

For tomorrow, you MUST have a thesis but try to also have some ideas for what you want to write body paragraphs about. Or quotes. Or something.

Monday, May 19, 2014

May 19

Today in class we discussed Act 2, Act 3 and Cultural Connections for Lorca.

You don't have homework but be prepared to do the Lorca Supervised Writing tomorrow.

YAYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY

Thursday, May 15, 2014

May 15, 2014

Today in we discussed Act 1 and looked at the world lit rubric and an example essay.
YAY.

YOUR IOP OUTLINES ARE DUE TOMORROW!!!!!!!!!!!!!!!!!!!!!!
Also, READ ACT 2.

Wednesday, May 14, 2014

5/14

Today we did our supervised writing AND our second debate AND summarized LORCA.

HW:
Read Act 1 of Lorca

IOP OUTLINES DUE FRIDAY!!!!!!!!

AND also... Poor poor Lorca


Tuesday, May 13, 2014

5/13

Today we discussed Act 5 and started our debates.

HW: Journal 2: According to Ibsen, how do we know what we claim to know? Defend your point with three quotations from the text.

WORK ON OUTLINES!!

Monday, May 12, 2014

5/12

Today we worked on debates and had an Act 4 Quiz

HW: Read Act 5 for tomorrow!!!!!!!!!!!!!!!

Friday, May 9, 2014

FRIDAY

Today we discussed Act 3.

**READ ACT 4 THIS WEEKEND.
**IOP OUTLINES DUE NEXT FRIDAY!!!!!!


Thursday, May 8, 2014

Thursday May 8, 2014

Today we did cultural connections and IOP outlines.

HW: Sorry I forgot to post the journal. Please do it tonight!!!
Ibsen Journal 1:
How does Ibsen deal with minor characters? Analyze at least 3 quotations
-How do the characters function?
-How does they help uncover Ibsen's message?
AND: Read Act 3!!!!!

IOP OUTLINES DUE TUESDAY!!! There is a link to an example outline on the right side of the blog under "Cool Stuff"

Tuesday, May 6, 2014

May 6, 2014

Today in class we...
had an Ibsen quiz, answer questions about Act 1

HW: Read Act 2,
send me your cultural connections hand-outs and turn them in to turnitin.com

Monday, May 5, 2014

May 5, 2014

Today in class we did:
1. First page stuff
2. First page questions

HW:
Read Act 1 of Ibsen, turn in cultural connection hand-out via email or google docs by 3 pm on Tuesday.

Friday, May 2, 2014

Friday May 2

We worked on cultural connections.

HOMEWORK:
For Monday:
1. Your philosophy/criticism assignment is due MONDAY.
2. Please read a summary of Ibsen's The Wild Duck for MONDAY.
3. Your cultural connection summary needs to be emailed/shared with me by Tuesday at 3 p.m. You also need to turn it in to turnitin.com

https://www.youtube.com/watch?v=XT13ijUfSts

Thursday, May 1, 2014

Thursday May 1

Today in class we said goodbye (forever) to Antigone and did the supervised writing.

Your philosophy/criticism assignment is due Monday. If you have questions about citing dramatic works, use the following link:
http://libguides.pstcc.edu/content.php?pid=24540&sid=1751573

**For this assignment, I am ok with just page numbers when referring to the text; for the world lit, however, you will have to do the proper citation. Yay.

Please keep thinking about your IOPs as well. A formal outline of the IOP will be due on May 13th. The sooner you start formatting a thesis, the more I can help.

Wednesday, April 30, 2014

April 30, 2014

Discuss 30-44; answer final questions; discuss final questions.


PHILOSOPHY/CRITICISM due Monday.

Tuesday, April 29, 2014

Tuesday 4/29

Today in class we had cultural presentations and answered questions for 30-44 (we'll discuss tomorrow).

HW:
1. Work on philosophy assignments (due MONDAY).
2. Finish Antigone for tomorrow!

Example Assignment:
Philosophical Statement
The television show Archer juxtaposes the upper and lower classes to espouse the value of creating a definitive distinction between social classes in order to maintain control over society. Indeed, most of the show focuses upon Sterling Archer’s inability to understand other classes; his butler, Woodhouse, not only maintains Archer’s home, he also takes care of Archer’s mistresses, conceals his alcohol abuse and literally gives him nourishment. Thus, the show creates and emphasizes a clear social class distinction. Moreover, the audience primarily identifies with Archer, showing the show’s regard for this strict class structure. Despite his obvious and multiple shortcomings, Archer is a sympathetic character, as proven by his surprisingly emotional response to the birth of his love child with Lana. Indeed, though Archer continuously mistreats Lana, even she realizes that he is both personally and professionally necessary to her, demonstrating that he is the clear hero of the show. THE SHOW IS CALLED ARCHER.
            Additionally, the writers of the show often juxtapose the buffoonery of the lower class characters, furthering the importance of a distinction between classes for the maintenance of social control. Pam, the large Southern director of HR, as a member of the lower class, is mocked and constantly makes mistakes. Not only does she use a dolphin puppet to lead meetings about sensitive issues, she later becomes addicted to drugs, creating even more of a burden for the rest of the ISIS firm. Even Lana, Archer’s love interest, seems to be at the utter mercy of members of the higher class. Both Archer and his mother manipulate and mistreat her, yet she remains a loyal employee and continues to have intensely emotional (albeit mostly angry) reactions to Archer’s actions. Thus, through the juxtaposition of the classes, the show Archer emphasizes the importance of a distinction between classes in a civilized organization or community.

Literary Criticism ***Note: a complete analysis would include a second body paragraph (about triumph over chaos) and a conclusion. Yay.
            Are Antigone and Archer a match made in heaven? Both characters are members of the upper-class and, despite being deeply flawed, constantly seem to find redemption. The television show Archer juxtaposes the upper and lower classes to emphasize the superiority of the upper class and to demonstrate the necessity of the class system to maintain order in society. Due to the unbreakable classicism in Antigone and the ultimate triumph over chaos, the play would be considered a successful piece of literature when viewed through the philosophical lense of Archer.

            First, both Antigone and Creon continually emphasize their roles as members of the upper class.  In fact, when discussing Antigone’s duty, Creon reminds the audience of his niece’s place in society by claiming, “You are a daughter of lawmakers, a daughter of kings, Antigone. You must observe the law” (29). The parallel structure in the sentence likens kings and lawmakers, thereby equating social class with power and articulating the importance of both. Antigone also creates a dichotomy between the classes when she says of the guards, “I don’t mind being killed, but I don’t want them to touch me” (25). Not only does Antigone demonstrate classicism when she prefers being killed to being touched, she refers to the guards not with names, or even titles, but the pronoun “them”. The use of an impersonal and alienating word creates a disgusted tone, giving further evidence of Antigone’s reliance on the social structure. As a result, this play is certainly a successful example of the Archer philosophy; members of the upper class identify a clear juxtaposition between the economic strata of society, just as the members of ISIS do in the television show.

Wednesday, April 23, 2014

Tuesday, Thursday, Friday April 22, 24, 25

Tuesday

In class we:
Discussed Antigone p. 3-19 and assigned the cultural presentation.

HW: Work on cultural presentation.


Thursday

In class we:
Worked on cultural presentations.

HW: Read pp. 20-29 and Tragedy Journal 2: How has the role of the chorus changed?  What tone does the Chorus take? What is the effect of the Chorus’ tone?  How does the chorus comment on the tragic elements of the play? Use at least 3 quotations from the text.


Friday

In class we:
Discussed p. 20-29 of Antigone

HW: Read pp. 30-44 and Journal 3: How does Anouilh juxtapose Antigone's perception of duty with Creon's perception of duty? What is the effect of this juxtaposition? Use AND ANALYZE at least 3 quotations from the text to support your argument.
**CULTURAL PRESENTATIONS WILL BE MONDAY AND TUESDAY. BE PREPARED TO PRESENT MONDAY!